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Abstract
本书系统地考察五言诗在汉乐府、汉古诗、曹植 (192-232) 和阮籍 (210-263) 作品中的发展，阐明这四组五言作品中主题、形式、文体的转变,并将这些转变置于四种重要诗歌模式 (戏剧模式、叙述模式、抒情模式、象征模式) 的发展进程中加以考察；同时，探索诗歌演变的内在机制，展示诗人们如何改变现存诗歌模式，不断地拓宽和深化自我呈现，同时又揭示诗人自我呈现的努力在何种程度上受到社会政治背景、读者、诗歌传统诸外在因素的影响。
| Translated title of the contribution | The matrix of lyric transformation : poetic modes and self-presentation in early Chinese pentasyllabic poetry |
|---|---|
| Original language | Chinese (Simplified) |
| Place of Publication | 北京 |
| Publisher | Peking University Press (北京大学出版社) |
| Number of pages | 240 |
| ISBN (Print) | 9787301257852 |
| Publication status | Published - 2015 |
Publication series
| Name | 中国古代文体学研究丛书 |
|---|---|
| Publisher | 北京大学出版社 |
Bibliographical note
Translation of "The matrix of lyric transformation : poetic modes and self-presentation in early Chinese pentasyllabic poetry"Fingerprint
Dive into the research topics of 'The matrix of lyric transformation : poetic modes and self-presentation in early Chinese pentasyllabic poetry'. Together they form a unique fingerprint.Research output
- 1 Book (Author)
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The matrix of lyric transformation poetic modes and self-presentation in early Chinese Pentasyllabic Poetry
CAI, Z., 1997, University of Michigan Press. (Michigan Asian Studies Open Access Books Collection)Research output: Scholarly Books | Reports | Literary Works › Book (Author) › peer-review
Open Access