本文主要分析香港20世紀六十年代的一本重要左派文藝刊物《海光文藝》中的流行小説。之前對《海光文藝》的研究主要在於它作爲左派的灰色刊物在冷戰時期的意義，本文則對其中的流行小説部分進行細讀，大致分爲兩個部分，第一部分討論《海光文藝》中對流行文學的研究，包括梁羽生、金庸對於武俠小説的討論，盈若思對瓊瑤及郭良蕙的言情小説的分析等。第二部分以文本細讀的方法，分析《海光文藝》刊登的流行短篇小説，特别是選取鄭慧、依達、亦舒這三個分别在五十年代、六十年代及七十年代最爲流行的言情作家作品來討論他們所寫作的言情小説中所反映的不同世代的創作特色。文章認爲《海光文藝》在評論及創作兩個方面均對當時的流行文學研究做出貢獻。它以一種嚴肅的、論文探討式的方式來分析時下的流行文學類型，同時，在創作上，刊物中發表的流行文學在世代、性别、背景上也有多樣化的特點，因此在香港六十年代流行文學的研究及創作上具有重要價值。<eng>This paper discussed the popular fiction in Haiguang wenyi, one of the most important literary journals by the leftist in the 1960s Hong Kong. Previously the studies of this journal mainly focused on its significance as a grey journal of the leftists during the cold war, this paper, however, conducted a detailed analysis in its texts of popular fiction. It consisted two parts. Part one discussed the essays on the theory of popular literature published in this journal, including discussions on martial art fiction by Liang Yusheng and Jing Yong, the analysis by Ying Ruosi on the topic of romances of Qiong Yao and Guo Lianghui. Part two did a detailed readings of the popular fiction in this journal, especially the stories written by Zheng Hui, Yi Da and Yi Shu. These three writers were the most popular romance writers of the 50s, 60s and 70s each. In general, this paper argued that Haiguang wenyi contributed greatly to the popular literature writings in the 1960s Hong Kong literature. Not only did it take a serious attitude to treat popular literature at that time, but also the popular stories published in this journal exhibited the diversity of genres and generations at that time.
|Original language||Chinese (Traditional)|
|Number of pages||22|
|Publication status||Published - Jun 2017|
- Haiguang wenyi
- 1960s Hong Kong literature
- popular fiction