現代詩「景」的符號 : 經驗、記憶、時間、空間 : The sign of jing 景 in modern Chinese poetry : experience, memory, time and space

Research output: Journal PublicationsJournal Article (refereed)Research

Abstract

有關詩「景」,常與「境」相涉,且有「虛」和「實」的分別,又常與「境界」一同討論。論者以為詩「景」與詩「境」的「虛」與「實」,並非各不相干而是相互依存的。饒宗頤(1916-)、蕭遙天、葉嘉瑩(1924-)等人分別就相關問題,提出不少有價值的見解。現代詩亦有不少以「景」入詩的作品。本論文引述上列論者的若干說法,參以段義孚就「感知」的解釋,以「景」符號化的具體特性為貫串脈絡的討論,深入探討現代詩「景」及詩「境」與「境界」的關係。

Jing 景 is an important element in Chinese poetry which has been, explicitly or implicitly, a focus of discussion among literary critics, Despite or perhaps because of its “transcendental” implications, this term has mainly been explored in classical Chinese poetry; its use in modern Chinese poetry has seldom been analyzed. The present essay attempts to utilize the literary interpretations of Jing and Jingjie 境界 of Jao Tsung-i 饒宗頤(1916- ), XiaoYao-tian 蕭遙天 and Ye Jia-ying 葉嘉瑩(1924- ), with reference also to the ideas of Tuan Yi-fu 段義孚, in order to discuss the sign of Jing via semiotic theory, according to which every interpretation relies upon the relationship between the sign and the meaning of itself.
Original languageChinese (Traditional)
Pages (from-to)105-120
Number of pages16
Journal臺灣師範大學學報
Volume47
Issue number2
Publication statusPublished - 2002

Keywords

  • 空間
  • 記憶
  • 時間
  • 觀念
  • Space
  • Memory
  • Time
  • Experience
  • Jing

Cite this

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title = "現代詩「景」的符號 : 經驗、記憶、時間、空間 : The sign of jing 景 in modern Chinese poetry : experience, memory, time and space",
abstract = "有關詩「景」,常與「境」相涉,且有「虛」和「實」的分別,又常與「境界」一同討論。論者以為詩「景」與詩「境」的「虛」與「實」,並非各不相干而是相互依存的。饒宗頤(1916-)、蕭遙天、葉嘉瑩(1924-)等人分別就相關問題,提出不少有價值的見解。現代詩亦有不少以「景」入詩的作品。本論文引述上列論者的若干說法,參以段義孚就「感知」的解釋,以「景」符號化的具體特性為貫串脈絡的討論,深入探討現代詩「景」及詩「境」與「境界」的關係。Jing 景 is an important element in Chinese poetry which has been, explicitly or implicitly, a focus of discussion among literary critics, Despite or perhaps because of its “transcendental” implications, this term has mainly been explored in classical Chinese poetry; its use in modern Chinese poetry has seldom been analyzed. The present essay attempts to utilize the literary interpretations of Jing and Jingjie 境界 of Jao Tsung-i 饒宗頤(1916- ), XiaoYao-tian 蕭遙天 and Ye Jia-ying 葉嘉瑩(1924- ), with reference also to the ideas of Tuan Yi-fu 段義孚, in order to discuss the sign of Jing via semiotic theory, according to which every interpretation relies upon the relationship between the sign and the meaning of itself.",
keywords = "空間, 記憶, 時間, 景, 觀念, Space, Memory, Time, Experience, Jing",
author = "陳惠英",
year = "2002",
language = "Chinese (Traditional)",
volume = "47",
pages = "105--120",
journal = "臺灣師範大學學報",
issn = "2518-9603",
number = "2",

}

現代詩「景」的符號 : 經驗、記憶、時間、空間 : The sign of jing 景 in modern Chinese poetry : experience, memory, time and space. / 陳惠英.

In: 臺灣師範大學學報, Vol. 47, No. 2, 2002, p. 105-120.

Research output: Journal PublicationsJournal Article (refereed)Research

TY - JOUR

T1 - 現代詩「景」的符號 : 經驗、記憶、時間、空間 : The sign of jing 景 in modern Chinese poetry : experience, memory, time and space

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PY - 2002

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N2 - 有關詩「景」,常與「境」相涉,且有「虛」和「實」的分別,又常與「境界」一同討論。論者以為詩「景」與詩「境」的「虛」與「實」,並非各不相干而是相互依存的。饒宗頤(1916-)、蕭遙天、葉嘉瑩(1924-)等人分別就相關問題,提出不少有價值的見解。現代詩亦有不少以「景」入詩的作品。本論文引述上列論者的若干說法,參以段義孚就「感知」的解釋,以「景」符號化的具體特性為貫串脈絡的討論,深入探討現代詩「景」及詩「境」與「境界」的關係。Jing 景 is an important element in Chinese poetry which has been, explicitly or implicitly, a focus of discussion among literary critics, Despite or perhaps because of its “transcendental” implications, this term has mainly been explored in classical Chinese poetry; its use in modern Chinese poetry has seldom been analyzed. The present essay attempts to utilize the literary interpretations of Jing and Jingjie 境界 of Jao Tsung-i 饒宗頤(1916- ), XiaoYao-tian 蕭遙天 and Ye Jia-ying 葉嘉瑩(1924- ), with reference also to the ideas of Tuan Yi-fu 段義孚, in order to discuss the sign of Jing via semiotic theory, according to which every interpretation relies upon the relationship between the sign and the meaning of itself.

AB - 有關詩「景」,常與「境」相涉,且有「虛」和「實」的分別,又常與「境界」一同討論。論者以為詩「景」與詩「境」的「虛」與「實」,並非各不相干而是相互依存的。饒宗頤(1916-)、蕭遙天、葉嘉瑩(1924-)等人分別就相關問題,提出不少有價值的見解。現代詩亦有不少以「景」入詩的作品。本論文引述上列論者的若干說法,參以段義孚就「感知」的解釋,以「景」符號化的具體特性為貫串脈絡的討論,深入探討現代詩「景」及詩「境」與「境界」的關係。Jing 景 is an important element in Chinese poetry which has been, explicitly or implicitly, a focus of discussion among literary critics, Despite or perhaps because of its “transcendental” implications, this term has mainly been explored in classical Chinese poetry; its use in modern Chinese poetry has seldom been analyzed. The present essay attempts to utilize the literary interpretations of Jing and Jingjie 境界 of Jao Tsung-i 饒宗頤(1916- ), XiaoYao-tian 蕭遙天 and Ye Jia-ying 葉嘉瑩(1924- ), with reference also to the ideas of Tuan Yi-fu 段義孚, in order to discuss the sign of Jing via semiotic theory, according to which every interpretation relies upon the relationship between the sign and the meaning of itself.

KW - 空間

KW - 記憶

KW - 時間

KW - 景

KW - 觀念

KW - Space

KW - Memory

KW - Time

KW - Experience

KW - Jing

M3 - Journal Article (refereed)

VL - 47

SP - 105

EP - 120

JO - 臺灣師範大學學報

JF - 臺灣師範大學學報

SN - 2518-9603

IS - 2

ER -