Abstract
作为依附于清朝政治制度、文化学术的学人和官员，当清王朝崩塌之后，沈曾植痛彻心扉，因此其辛亥前后的诗作浓缩了这一特殊的心理历程。沈氏在书画诗歌文艺形式中寄托忧思排遣幽愤，其诗兼有融会庄禅的特点。借由沈诗，也可窥见同光体在诗学史之成就。
| Original language | Chinese (Simplified) |
|---|---|
| Pages (from-to) | 34-44 |
| Number of pages | 11 |
| Journal | 中山大学学报 (社会科学版) |
| Volume | 60 |
| Issue number | 2 |
| Early online date | 26 Mar 2020 |
| DOIs | |
| Publication status | Published - Apr 2020 |
Keywords
- 创伤记忆
- 清室遗老
- 同光体
- 书画
Research output
- 1 Other Article
-
终身不离悔吝咎，一日不废画书诗 : 从创伤记忆看沈曾植辛亥前后的诗歌写作
Translated title of the contribution :Immersing Myself in Depression,Only Painting and Poetry Are My Outlet: The Traumatic Memory in Shen Zengzhi's Poems Around 1911 Revolution Research output: Other Publications › Other Article › Research
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