近年来"中国电影学派"话语的构建 : 几点反思与质疑

Translated title of the contribution: Reflections on the Construction of the Discourse of a Chinese Film School in Recent Years

鲁晓鹏*, 龚浩敏

*Corresponding author for this work

Research output: Journal PublicationsJournal Article (refereed)peer-review

Abstract

本文就近年来“中国电影学派”话语的构建提出几点反思,以图促进中国电影产业与研究的进一步发展。本文将追溯“中国电影学派”的史前史至“华语电影”之争,之后在中西学术话语的交流中审视“学派”之内涵,最后在几组概念 - 普遍性与特殊性、先见之明与后见之明、时间性与空间性、对象与方法 - 的辨析中, 对“中国电影学派”的话语构建进行进一步厘清。

This essay raises some reflections on the construction of the discourse “Chinese Film School” popular in China in the past few years. By doing so, we intend to provide some ideas for the further development of the Chinese film industry and studies of Chinese cinema. We first trace the construction of “Chinese Film School” to the debates on “Chinese-language cinema.” Then, we scrutinize the term “school” in the context of academic communications between China and the West. Finally, by investigations of some central ideas, including universality vs. particularity, the prescriptive vs. the descriptive, temporality vs. spatiality, and objects and methods, we offer further insights into “Chinese Film School”.
Translated title of the contributionReflections on the Construction of the Discourse of a Chinese Film School in Recent Years
Original languageChinese (Simplified)
Pages (from-to)133-143
Number of pages11
Journal文艺理论研究
Volume43
Issue number5
Early online date25 Sept 2023
Publication statusPublished - 25 Sept 2023

Bibliographical note

人大複印報刊資料《影視藝術》2024年第4期全文轉載

Keywords

  • 中国电影学派
  • 主体性
  • 学派与流派
  • 中西交流

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