近年来"中国电影学派"话语的构建 : 几点反思与质疑

本文就近年来“中国电影学派”话语的构建提出几点反思,以图促进中国电影产业与研究的进一步发展。本文将追溯“中国电影学派”的史前史至“华语电影”之争,之后在中西学术话语的交流中审视“学派”之内涵,最后在几组概念 - 普遍性与特殊性、先见之明与后见之明、时间性与空间性、对象与方法 - 的辨析中, 对“中国电影学派”的话语构建进行进一步厘清。

This essay raises some reflections on the construction of the discourse “Chinese Film School” popular in China in the past few years. By doing so, we intend to provide some ideas for the further development of the Chinese film industry and studies of Chinese cinema. We first trace the construction of “Chinese Film School” to the debates on “Chinese-language cinema.” Then, we scrutinize the term “school” in the context of academic communications between China and the West. Finally, by investigations of some central ideas, including universality vs. particularity, the prescriptive vs. the descriptive, temporality vs. spatiality, and objects and methods, we offer further insights into “Chinese Film School”.