TY - JOUR
T1 - Artistic self-reflexivity in Strindberg and Bergman
AU - LIVINGSTON, Paisley Nathan
PY - 1999/1/1
Y1 - 1999/1/1
N2 - In an essay first published in 1959, Roland Barthes declared that modern literature had become “a mask pointing to itself ”.1 Barthes described this self-reflexivity as an anxious, even tragic condition, a tortured process in which literature divides itself into the two logically distinct, yet inter-related levels of object-language and meta-language. Asking itself continually the single, self-absorbing question of its own identity, literature becomes a meta-language and thereby ceases to be an object-language capable of depicting or describing anything other than itself. “It follows”, Barthes proclaims, that “for over one hundred years our literature has played a dangerous game with its own death, or in other words, with a manner of living through its own death”. Barthes conjectures in passing that this perpetual self-questioning began with the bourgeoisie’s loss of its bonne conscience. Literature’s self-reflexive turn has resulted in a variety of fascinating writerly strategies, but has also had the global effect of precluding the emergence of a literature of action and engagement. Ceasing to ask: ‘What is to be done?’, the artist can only utter the words: ‘Who am I?’
AB - In an essay first published in 1959, Roland Barthes declared that modern literature had become “a mask pointing to itself ”.1 Barthes described this self-reflexivity as an anxious, even tragic condition, a tortured process in which literature divides itself into the two logically distinct, yet inter-related levels of object-language and meta-language. Asking itself continually the single, self-absorbing question of its own identity, literature becomes a meta-language and thereby ceases to be an object-language capable of depicting or describing anything other than itself. “It follows”, Barthes proclaims, that “for over one hundred years our literature has played a dangerous game with its own death, or in other words, with a manner of living through its own death”. Barthes conjectures in passing that this perpetual self-questioning began with the bourgeoisie’s loss of its bonne conscience. Literature’s self-reflexive turn has resulted in a variety of fascinating writerly strategies, but has also had the global effect of precluding the emergence of a literature of action and engagement. Ceasing to ask: ‘What is to be done?’, the artist can only utter the words: ‘Who am I?’
UR - http://rjh.ub.rug.nl/index.php/tvs/article/view/10502/8081
UR - http://commons.ln.edu.hk/sw_master/2610
M3 - Journal Article (refereed)
VL - 20
SP - 35
EP - 44
JO - TijdSchrift voor Skandinavistiek
JF - TijdSchrift voor Skandinavistiek
SN - 0168-2148
IS - 1
ER -