Abstract
This chapter identifies and analyses five major electronic dance music (EDM) cultures of mainland China: mainstream clubs-based EDM culture, local clubs-based EDM culture, klubbing-based EDM culture, provincial dancing-based EDM culture, and mic-shouting-based EDM culture. The first two cultures are based on the dance club, the third on karaoke venues, and the final two on social media. Chinese EDM cultures and styles are circulated regionally but not globally. Yet, they have been given ample opportunity to grow due to the very large domestic night-time economy. They are locally distinctive and participated in by millions of Chinese clubbers and audiences. Several studies have already identified these local EDM styles, but the local EDM cultures remain unexplored. The discussion helps fill the research gap by analysing major Chinese EDM cultures’ local cultural characteristics and potential social implications.
| Original language | English |
|---|---|
| Title of host publication | The Cambridge Companion to Electronic Dance Music |
| Editors | Hillegonda C RIETVELD, Toby YOUNG |
| Publisher | Cambridge University Press |
| Chapter | 7 |
| Pages | 128-145 |
| Number of pages | 18 |
| ISBN (Electronic) | 9781009215817 |
| ISBN (Print) | 9781009215824, 9781009215787 |
| DOIs | |
| Publication status | Published - 5 Mar 2026 |
Bibliographical note
Publisher Copyright:© Cambridge University Press & Assessment 2026.
Keywords
- Chinese electronic dance music
- cultural localization
- electronic dance music culture
- klubbing
- mic-shouting
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