Daejanggeum as 'affective mobilization' : lessons for (transnational) popular culture and civil society

Research output: Journal PublicationsJournal Article (refereed)

10 Citations (Scopus)

Abstract

(Transnationalized) popular culture and (global) social movement are often seen as unrelated, if not mutually exclusive. Popular culture is entertaining, consensual but trivial; social movement is serious, idealized and oppositional. Yet the WTO Ministerial Conference, held in Hong Kong in December 2005, saw the Korean protesters' adoption of the theme-song of a popular Korean television drama, Daejanggeum, as their protest strategy. The Korean protesters had been framed by mainstream Hong Kong media as 'violent rioters', but the inclusion of the drama elements helped the protesters advance their cause by gaining instant rapport with the local Hong Kong news media and public/fans (of Korean wave). The impact of celebrity involvement in the WTO was also about an immediate transferal of fan affect, from celebrities to the movement, and to the Korean protesters. This 'affect mobilization', becomes important as movement capital, as the effective manipulation of emotions is a key to 'getting the message across' as movement strategies. The case of WTO Hong Kong reveals the possibility of a symbiotic relationship between transnational popular culture and globalized social movements. The 'use' of (Korean) popular cultural products enriches and complicates the affect subjectivities within the social movement, and arranges fan affect into multiple layers of emotion hierarchies/spheres. It remains to be seen, however, if this would set a precedence to protesters in future WTO rounds as they are keen to mobilize their causes in different locales. More research is needed, too, to demonstrate if the success of the Korean wave fosters the emergence of a transnational Asian 'public' or civil society. Yet, for now, the success of Korean protesters in the mobilization of Hong Kong public's affect epitomizes the hegemonic flow, or soft power, of Korean TV dramas in the Asian popular.
Original languageEnglish
Pages (from-to)51-66
Number of pages16
JournalInter-Asia Cultural Studies
Volume10
Issue number1
DOIs
Publication statusPublished - 1 Jan 2009

Fingerprint

popular culture
mobilization
civil society
Hong Kong
WTO
fan
social movement
drama
VIP
emotion
capital movement
cause
Social Movements
song
protest
subjectivity
manipulation
television
news
inclusion

Keywords

  • (globalized) social movement
  • (transnational) popular culture
  • Daejanggeum
  • Korean TV dramas
  • Korean wave
  • Lee Young Ae
  • affective mobilization
  • celebrities
  • civil society
  • soft power

Cite this

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abstract = "(Transnationalized) popular culture and (global) social movement are often seen as unrelated, if not mutually exclusive. Popular culture is entertaining, consensual but trivial; social movement is serious, idealized and oppositional. Yet the WTO Ministerial Conference, held in Hong Kong in December 2005, saw the Korean protesters' adoption of the theme-song of a popular Korean television drama, Daejanggeum, as their protest strategy. The Korean protesters had been framed by mainstream Hong Kong media as 'violent rioters', but the inclusion of the drama elements helped the protesters advance their cause by gaining instant rapport with the local Hong Kong news media and public/fans (of Korean wave). The impact of celebrity involvement in the WTO was also about an immediate transferal of fan affect, from celebrities to the movement, and to the Korean protesters. This 'affect mobilization', becomes important as movement capital, as the effective manipulation of emotions is a key to 'getting the message across' as movement strategies. The case of WTO Hong Kong reveals the possibility of a symbiotic relationship between transnational popular culture and globalized social movements. The 'use' of (Korean) popular cultural products enriches and complicates the affect subjectivities within the social movement, and arranges fan affect into multiple layers of emotion hierarchies/spheres. It remains to be seen, however, if this would set a precedence to protesters in future WTO rounds as they are keen to mobilize their causes in different locales. More research is needed, too, to demonstrate if the success of the Korean wave fosters the emergence of a transnational Asian 'public' or civil society. Yet, for now, the success of Korean protesters in the mobilization of Hong Kong public's affect epitomizes the hegemonic flow, or soft power, of Korean TV dramas in the Asian popular.",
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Daejanggeum as 'affective mobilization' : lessons for (transnational) popular culture and civil society. / LEUNG, Yuk Ming, Lisa.

In: Inter-Asia Cultural Studies, Vol. 10, No. 1, 01.01.2009, p. 51-66.

Research output: Journal PublicationsJournal Article (refereed)

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KW - affective mobilization

KW - celebrities

KW - civil society

KW - soft power

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