Elvis, allow me to introduce myself : American music and neocolonialism in Taiwan cinema

Research output: Journal PublicationsJournal Article (refereed)Researchpeer-review

Abstract

Music in Edward Yang's film oeuvre is characterized by a wide variety of styles. Disparity and disjunction seem to be key to Edward Yang's work. The disparity between the English and Chinese titles in several of his films points to Yang's embodiment of a hybrid identity: American, Chinese mainland, and Taiwan cultures. Born in Shanghai of Hakka origin, raised in Taiwan as a second-generation mainland emigre, and trained and employed as an engineer in the United States, Yang shuttles between his Chinese upbringing and a cosmopolitan sensibility. Compared to the films of another Taiwan director, Hou Hsiao-hsien, who prefers rural motifs, Yang's works are marked by urban themes and, more important, "glocal," hybrid cultural sentiments and wry humor.
Original languageEnglish
Pages (from-to)1-28
Number of pages28
JournalModern Chinese Literature and Culture = 中國現代文學
Volume15
Issue number1
Publication statusPublished - 2003
Externally publishedYes

Fingerprint

Neocolonialism
Cinema
Taiwan
American music
Embodiment
Shanghai
Motifs
American Identity
Emigres
Music
Engineers
Sentiment

Keywords

  • Neocolonialism
  • Rock music
  • American music
  • Arts songs
  • Chinese culture
  • East Asian culture
  • Western civilization
  • Musical performance
  • Animal mimicry
  • Chinese literature

Cite this

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abstract = "Music in Edward Yang's film oeuvre is characterized by a wide variety of styles. Disparity and disjunction seem to be key to Edward Yang's work. The disparity between the English and Chinese titles in several of his films points to Yang's embodiment of a hybrid identity: American, Chinese mainland, and Taiwan cultures. Born in Shanghai of Hakka origin, raised in Taiwan as a second-generation mainland emigre, and trained and employed as an engineer in the United States, Yang shuttles between his Chinese upbringing and a cosmopolitan sensibility. Compared to the films of another Taiwan director, Hou Hsiao-hsien, who prefers rural motifs, Yang's works are marked by urban themes and, more important, {"}glocal,{"} hybrid cultural sentiments and wry humor.",
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}

Elvis, allow me to introduce myself : American music and neocolonialism in Taiwan cinema. / YEH, Emilie Yueh-yu.

In: Modern Chinese Literature and Culture = 中國現代文學, Vol. 15, No. 1, 2003, p. 1-28.

Research output: Journal PublicationsJournal Article (refereed)Researchpeer-review

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