Abstract
This paper examines how the Japanese self-regulatory systems that evolved in the aftermath of the Second World War to regulate the sexual content within Japanese films metamorphosed into a powerful state apparatus to create fear and uncertainty for those involved in making adult videos. We depict the history of Japan’s obscenity laws, from their origin as a response to Western imperialism to the self-regulatory bodies created in the post-war period of the American Occupation to maintain the obscenity laws while conceding to American demands for freedom of creative expression. Thus, these self-regulatory bodies originated to mediate between two antithetical Western imperial requirements in a state initially wanting to modernize and then democratize. We then examine how the notorious prosecution of the Nihon Ethics of Video Association (Bideo Rinri Kyōkai aka Biderin), the self-regulatory of the adult video industry, brought to a head the contradictions inherent in the state’s deployment of these bodies while revealing a more sinister dynamic of state control.
Original language | English |
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Pages (from-to) | 401-414 |
Number of pages | 14 |
Journal | International Journal of Cultural Policy |
Volume | 29 |
Issue number | 4 |
Early online date | 22 Apr 2022 |
DOIs | |
Publication status | Published - 2023 |
Bibliographical note
We would like to express sincere thanks to the two anonymous reviewers whose comments/suggestions helped improve and clarify this manuscript.Publisher Copyright:
© 2022 Informa UK Limited, trading as Taylor & Francis Group.
Keywords
- Japanese adult video
- state of precariousness
- censorship in Japan
- self-surveillance
- state censorship
- self-regulatory body