Abstract
This paper examines how the Japanese self-regulatory systems that evolved in the aftermath of the Second World War to regulate the sexual content within Japanese films metamorphosed into a powerful state apparatus to create fear and uncertainty for those involved in making adult videos. We depict the history of Japan’s obscenity laws, from their origin as a response to Western imperialism to the self-regulatory bodies created in the post-war period of the American Occupation to maintain the obscenity laws while conceding to American demands for freedom of creative expression. Thus, these self-regulatory bodies originated to mediate between two antithetical Western imperial requirements in a state initially wanting to modernize and then democratize. We then examine how the notorious prosecution of the Nihon Ethics of Video Association (Bideo Rinri Kyōkai aka Biderin), the self-regulatory of the adult video industry, brought to a head the contradictions inherent in the state’s deployment of these bodies while revealing a more sinister dynamic of state control.
| Original language | English |
|---|---|
| Pages (from-to) | 401-414 |
| Number of pages | 14 |
| Journal | International Journal of Cultural Policy |
| Volume | 29 |
| Issue number | 4 |
| Early online date | 22 Apr 2022 |
| DOIs | |
| Publication status | Published - 2023 |
Bibliographical note
We would like to express sincere thanks to the two anonymous reviewers whose comments/suggestions helped improve and clarify this manuscript.Publisher Copyright:
© 2022 Informa UK Limited, trading as Taylor & Francis Group.
Keywords
- Japanese adult video
- state of precariousness
- censorship in Japan
- self-surveillance
- state censorship
- self-regulatory body
Fingerprint
Dive into the research topics of 'From texts to contexts: the self-regulating body in the Japanese adult video industry'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver