Abstract
This article is an ethnographic and historical study that focuses on the ‘plebeian public sphere’ – a democratic sphere opened up by the community screening of independent documentary films. My article argues that this innovative public screening establishes a mode of communication that connects audiences with the neighbourhood where people gather together and form local communities by sharing experience and emotion based on history, story and memory. This process evokes a source of affective energy that is capable of catalysing social change. It challenges not only previous theoretical approaches to the public sphere, but also the stereotypical understanding of ‘the public’ in the Hong Kong context.
Original language | English |
---|---|
Pages (from-to) | 209-224 |
Number of pages | 16 |
Journal | Asian Cinema : A Publication of the Asian Cinema Studies Society |
Volume | 33 |
Issue number | 2 |
DOIs | |
Publication status | Published - Oct 2022 |
Externally published | Yes |
Bibliographical note
Publisher Copyright:© 2022 Intellect Ltd Article. English language.
Funding
The author received no specific funding for this article.
Keywords
- affect
- grassroots
- Hong Kong identity
- indie film
- kaifong
- public screening
- public sphere
- subordinate group