Home is where Hollywood isn’t : recasting East Asian film industries

Research output: Journal PublicationsJournal Article (refereed)

Abstract

Echoing some scholars who have challenged the Hollywood-centric view with respect to East Asian film and television,2 I provide an up-to-date review of the ways East Asian industries have protected their economic interests and conserved local culture through moving images. Despite strong Hollywood marketing in East Asia, local films have experienced a resurgence since 2008— especially in Japan, South Korea, Taiwan, and China, While Hollywood has continued to launch blockbuster franchises—weapons of mass distraction—to capture markets around the globe, local films in East Asia have been able to survive, and even outperform, Hollywood pictures. Government protection and the rebalancing of distribution and marketing might have galvanized the revival of East Asian film industries, but, more importantly, it is audience interest in locally produced media content that has sustained the continuing growth of East Asian cinemas.
Original languageEnglish
Pages (from-to)59-64
Number of pages6
JournalMedia Industries
Volume1
Issue number2
DOIs
Publication statusPublished - 2014
Externally publishedYes

Fingerprint

film industry
marketing
cinema
South Korea
television
Taiwan
Japan
China
industry
market
economics

Keywords

  • Film
  • Hollywood
  • Localism
  • Marketing

Cite this

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title = "Home is where Hollywood isn’t : recasting East Asian film industries",
abstract = "Echoing some scholars who have challenged the Hollywood-centric view with respect to East Asian film and television,2 I provide an up-to-date review of the ways East Asian industries have protected their economic interests and conserved local culture through moving images. Despite strong Hollywood marketing in East Asia, local films have experienced a resurgence since 2008— especially in Japan, South Korea, Taiwan, and China, While Hollywood has continued to launch blockbuster franchises—weapons of mass distraction—to capture markets around the globe, local films in East Asia have been able to survive, and even outperform, Hollywood pictures. Government protection and the rebalancing of distribution and marketing might have galvanized the revival of East Asian film industries, but, more importantly, it is audience interest in locally produced media content that has sustained the continuing growth of East Asian cinemas.",
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Home is where Hollywood isn’t : recasting East Asian film industries. / YEH, Emilie Yueh-yu.

In: Media Industries, Vol. 1, No. 2, 2014, p. 59-64.

Research output: Journal PublicationsJournal Article (refereed)

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AB - Echoing some scholars who have challenged the Hollywood-centric view with respect to East Asian film and television,2 I provide an up-to-date review of the ways East Asian industries have protected their economic interests and conserved local culture through moving images. Despite strong Hollywood marketing in East Asia, local films have experienced a resurgence since 2008— especially in Japan, South Korea, Taiwan, and China, While Hollywood has continued to launch blockbuster franchises—weapons of mass distraction—to capture markets around the globe, local films in East Asia have been able to survive, and even outperform, Hollywood pictures. Government protection and the rebalancing of distribution and marketing might have galvanized the revival of East Asian film industries, but, more importantly, it is audience interest in locally produced media content that has sustained the continuing growth of East Asian cinemas.

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