从近偷、远偷到不偷 : 香港作家创作三阶段与一分“自供状”

Translated title of the contribution: Hong Kong Writers : their three stages in literary creation

黄国彬

Research output: Journal PublicationsJournal Article (refereed)

Abstract

在创作世界里, 谁都经过吸收他人所长、间接或直接师事时人与前贤的阶段。由浸淫于当代作家的作品而不知不觉吸收营养, 渐渐转益多师、实行多元模仿, 直到放眼中外与古今的文学作品并加以创造性转化, 这就是一般作家包括香港作家的写作三阶段:近偷、远偷、不偷。本文综论了这一现象与规律, 并附述了个人的经验。

In terms of literary creation everyone has experienced directly or indirectly drawing on masters of present or past times .Generally speaking, men of letters, including those in Hong Kong, have to go through three stages in their literary creation limitation of modern writers, of ancient ones and creative transformation. That is, firstly, they immerse themselves in the works of modern
writers and subconsciously benefit from them .Secondly they get to imitate the works of present and past times, and finally, they, based on their imitation and study, start to make creative transformation. This paper analyses such a phenomenon and regular pat tern and recounts my personal experience in this aspect.
Translated title of the contributionHong Kong Writers : their three stages in literary creation
Original languageChinese (Simplified)
Pages (from-to)90-94
Journal海南师范学院学报 (人文社会科学版)
Volume48
Issue number13
Publication statusPublished - Jun 2000

Keywords

  • three stages in literary creation
  • assimilation
  • multi-dimensional imitation
  • creative transformation
  • 创作三阶段
  • 吸收
  • 多元模仿
  • 创造性转化

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