Abstract
| Original language | English |
|---|---|
| Pages (from-to) | 11-30 |
| Number of pages | 20 |
| Journal | Global Media and China |
| Volume | 9 |
| Issue number | 1 |
| Early online date | 11 Jan 2024 |
| DOIs | |
| Publication status | Published - Mar 2024 |
Bibliographical note
The author would like to thank the GMAC editors and anonymous reviewers for their insightful comments and suggestions throughout the review process. He is also thankful to Darren Carter, Jenny Chan, Yiu-Fai Chow, Jeroen de Kloet, Anthony Fung, Kun He, Misha Kavka, Xiaotian Li, Jori Snels, Bo Wang and June Wang for their critical comments on an earlier version of this article.Publisher Copyright:
© The Author(s) 2024.
Funding
The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This study was supported by The University of Hong Kong’s Seed Funding Programme for Basic Research (project no. 2014 104005118) and by HKU Faculty of Social Sciences’ Strategic Research Clusters Seed Funding. It was also, in part, supported by the European Research Council Consolidator Grant 2021 Research and Innovation Programme, under the project ‘China Fashion Power: Fashioning Power through South-South Interaction: Re-thinking Creativity, Authenticity, Cultural Mediation and Consumer Agency along China-Africa Fashion Value Chains’ (Grant agreement No. 101044619).
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 8 Decent Work and Economic Growth
Keywords
- Alibaba
- China
- E-commerce
- corporate culture
- digital economy
- infrastructural capitalism
- phygital infrastructure
- platform economy
- public-private partnerships
- sensorial infrastructure
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