Abstract
In a digital era of representation, where screen content is abstracted from material objects/apparatuses, how do we still associate “text” and “book” with materiality? This essay analyzes Jonathan Safran Foer’s Tree of Codes as a “literature of disembodiment”—experimental print texts that represent objects from which materiality is erased.
| Original language | English |
|---|---|
| Pages (from-to) | 37-53 |
| Number of pages | 17 |
| Journal | Mosaic: An Interdisciplinary Critical Journal |
| Volume | 51 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - Mar 2018 |
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