Meeting Warhol in the Exhibition: Visitors’ Experience with Art in the Hong Kong Museum of Art

在展覽遇上華荷:香港藝術館觀眾經驗淺析

Chui Fun HO, Wing-yan, Vivian TING

Research output: Book Chapters | Papers in Conference ProceedingsBook ChapterResearchpeer-review

Abstract

The essay is a museological enquiry into how museum visitors assign meanings to their visits and their interpretive strategies for connecting with the arts. Adhering to specific theoretical rationale, research methodologies and analytical framework, the writers have identified five different models of visiting experiences based on the visitors’ personal motivation, interpretation of experiences, and general perception of art and cultural activities, namely, connoisseurs, enthusiastic learners, curious viewers, leisurely wanderers and passive visitors. Characteristics of each model is discussed in details. The writers hope that the research will produce useful knowledge about Hong Kong art visitors for the benefit of art administrators and museum professionals in considering how to interact with visitors in a meaningful way.

本文作者以博物館學研究的角度檢視觀眾參觀藝術館的意義,進而討論不同觀眾詮釋藝術的手法。文章起首解釋研究方法及分析框架的理論依據,接著根據觀眾個人動機、詮釋展覽的方式以及其對文化藝術的整體印象歸納出五種不同模式的觀賞經驗,包括鑑賞家、熱心求學者、文化探奇者、隨意閒逛者及匆匆過客。文章詳細描述了此五種觀賞模式的特點。作者希望是項研究可帶動本地藝術觀眾拓展的討論,為藝術行政人員及博物館專才揭示不同觀眾的參觀方式,以更深入思考如何與觀眾互動。
Original languageMultiple languages
Title of host publicationHong Kong Visual Arts Yearbook = 香港視覺藝術年鑑
Editors 唐錦騰
Place of Publication香港
Publisher香港藝術發展局 : 香港中文大學藝術系
Pages178-209
Number of pages32
ISBN (Print)9789627055242
Publication statusPublished - 2014
Externally publishedYes

Cite this

HO, C. F., & TING, W. V. (2014). Meeting Warhol in the Exhibition: Visitors’ Experience with Art in the Hong Kong Museum of Art: 在展覽遇上華荷:香港藝術館觀眾經驗淺析. In 唐錦騰 (Ed.), Hong Kong Visual Arts Yearbook = 香港視覺藝術年鑑 (pp. 178-209). 香港: 香港藝術發展局 : 香港中文大學藝術系.
HO, Chui Fun ; TING, Wing-yan, Vivian. / Meeting Warhol in the Exhibition: Visitors’ Experience with Art in the Hong Kong Museum of Art : 在展覽遇上華荷:香港藝術館觀眾經驗淺析. Hong Kong Visual Arts Yearbook = 香港視覺藝術年鑑. editor / 唐錦騰. 香港 : 香港藝術發展局 : 香港中文大學藝術系, 2014. pp. 178-209
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title = "Meeting Warhol in the Exhibition: Visitors’ Experience with Art in the Hong Kong Museum of Art: 在展覽遇上華荷:香港藝術館觀眾經驗淺析",
abstract = "The essay is a museological enquiry into how museum visitors assign meanings to their visits and their interpretive strategies for connecting with the arts. Adhering to specific theoretical rationale, research methodologies and analytical framework, the writers have identified five different models of visiting experiences based on the visitors’ personal motivation, interpretation of experiences, and general perception of art and cultural activities, namely, connoisseurs, enthusiastic learners, curious viewers, leisurely wanderers and passive visitors. Characteristics of each model is discussed in details. The writers hope that the research will produce useful knowledge about Hong Kong art visitors for the benefit of art administrators and museum professionals in considering how to interact with visitors in a meaningful way.本文作者以博物館學研究的角度檢視觀眾參觀藝術館的意義,進而討論不同觀眾詮釋藝術的手法。文章起首解釋研究方法及分析框架的理論依據,接著根據觀眾個人動機、詮釋展覽的方式以及其對文化藝術的整體印象歸納出五種不同模式的觀賞經驗,包括鑑賞家、熱心求學者、文化探奇者、隨意閒逛者及匆匆過客。文章詳細描述了此五種觀賞模式的特點。作者希望是項研究可帶動本地藝術觀眾拓展的討論,為藝術行政人員及博物館專才揭示不同觀眾的參觀方式,以更深入思考如何與觀眾互動。",
author = "HO, {Chui Fun} and TING, {Wing-yan, Vivian}",
year = "2014",
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isbn = "9789627055242",
pages = "178--209",
editor = "唐錦騰",
booktitle = "Hong Kong Visual Arts Yearbook = 香港視覺藝術年鑑",
publisher = "香港藝術發展局 : 香港中文大學藝術系",

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HO, CF & TING, WV 2014, Meeting Warhol in the Exhibition: Visitors’ Experience with Art in the Hong Kong Museum of Art: 在展覽遇上華荷:香港藝術館觀眾經驗淺析. in 唐錦騰 (ed.), Hong Kong Visual Arts Yearbook = 香港視覺藝術年鑑. 香港藝術發展局 : 香港中文大學藝術系, 香港, pp. 178-209.

Meeting Warhol in the Exhibition: Visitors’ Experience with Art in the Hong Kong Museum of Art : 在展覽遇上華荷:香港藝術館觀眾經驗淺析. / HO, Chui Fun; TING, Wing-yan, Vivian.

Hong Kong Visual Arts Yearbook = 香港視覺藝術年鑑. ed. / 唐錦騰. 香港 : 香港藝術發展局 : 香港中文大學藝術系, 2014. p. 178-209.

Research output: Book Chapters | Papers in Conference ProceedingsBook ChapterResearchpeer-review

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N2 - The essay is a museological enquiry into how museum visitors assign meanings to their visits and their interpretive strategies for connecting with the arts. Adhering to specific theoretical rationale, research methodologies and analytical framework, the writers have identified five different models of visiting experiences based on the visitors’ personal motivation, interpretation of experiences, and general perception of art and cultural activities, namely, connoisseurs, enthusiastic learners, curious viewers, leisurely wanderers and passive visitors. Characteristics of each model is discussed in details. The writers hope that the research will produce useful knowledge about Hong Kong art visitors for the benefit of art administrators and museum professionals in considering how to interact with visitors in a meaningful way.本文作者以博物館學研究的角度檢視觀眾參觀藝術館的意義,進而討論不同觀眾詮釋藝術的手法。文章起首解釋研究方法及分析框架的理論依據,接著根據觀眾個人動機、詮釋展覽的方式以及其對文化藝術的整體印象歸納出五種不同模式的觀賞經驗,包括鑑賞家、熱心求學者、文化探奇者、隨意閒逛者及匆匆過客。文章詳細描述了此五種觀賞模式的特點。作者希望是項研究可帶動本地藝術觀眾拓展的討論,為藝術行政人員及博物館專才揭示不同觀眾的參觀方式,以更深入思考如何與觀眾互動。

AB - The essay is a museological enquiry into how museum visitors assign meanings to their visits and their interpretive strategies for connecting with the arts. Adhering to specific theoretical rationale, research methodologies and analytical framework, the writers have identified five different models of visiting experiences based on the visitors’ personal motivation, interpretation of experiences, and general perception of art and cultural activities, namely, connoisseurs, enthusiastic learners, curious viewers, leisurely wanderers and passive visitors. Characteristics of each model is discussed in details. The writers hope that the research will produce useful knowledge about Hong Kong art visitors for the benefit of art administrators and museum professionals in considering how to interact with visitors in a meaningful way.本文作者以博物館學研究的角度檢視觀眾參觀藝術館的意義,進而討論不同觀眾詮釋藝術的手法。文章起首解釋研究方法及分析框架的理論依據,接著根據觀眾個人動機、詮釋展覽的方式以及其對文化藝術的整體印象歸納出五種不同模式的觀賞經驗,包括鑑賞家、熱心求學者、文化探奇者、隨意閒逛者及匆匆過客。文章詳細描述了此五種觀賞模式的特點。作者希望是項研究可帶動本地藝術觀眾拓展的討論,為藝術行政人員及博物館專才揭示不同觀眾的參觀方式,以更深入思考如何與觀眾互動。

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HO CF, TING WV. Meeting Warhol in the Exhibition: Visitors’ Experience with Art in the Hong Kong Museum of Art: 在展覽遇上華荷:香港藝術館觀眾經驗淺析. In 唐錦騰, editor, Hong Kong Visual Arts Yearbook = 香港視覺藝術年鑑. 香港: 香港藝術發展局 : 香港中文大學藝術系. 2014. p. 178-209