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Narrating History in Reform Era Chinese Cinema

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Abstract

In 1981, Mysterious Buddha (Shenmi de dafo, dir. Zhang Huaxun), an action-packed thriller film produced by Beijing Film Studio, achieved stunning box office success in the domestic market, asserting its status as the first martial arts film made in the People’s Republic of China (hereafter PRC).1 The following year, After Being Trapped (Youbu zhihou, dir. Hua Ke) was released by Changchun Film Studio. Although a fictional story of Chinese intelligence agents battling the Japanese invaders during the Second World War, After Being Trapped was still categorised by China Film Yearbook as a revolutionary history film. In 1983, August First Film Studio released Four Crossings of the Chishui River (Sidu chishui, dir. Gu Dexian and Cai Jiwei), which portrayed Mao Zedong leading the Red Army in its fight against the Kuomintang’s encirclement during the 1930s. The film was part of the military film studio’s broader effort to spark national enthusiasm for stories about revolutionary history, and this trend of revolutionary history-themed films persisted into the late 1980s and early 1990s. In 1989, Changchun Film Studio launched The Founding of New China (Kaiguo dadian, dir. Li Qiankuan and Xiao Guiyun), as a ‘revolutionary history mega film’, produced with substantial government subsidies and featuring some of China’s top filmmaking talents.2

Original languageEnglish
Title of host publicationThe Sage Handbook of Interpreting Chinese History
EditorsKristin STAPLETON, Xin FAN, Els van DONGEN
PublisherSAGE
Chapter27
Pages775-810
Number of pages36
ISBN (Electronic)9781036202491
ISBN (Print)9781529623222
DOIs
Publication statusPublished - Mar 2026

Publication series

NameSage Handbooks of Modern China Series
PublisherSage

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