Nature and religion in ancient Chinese poetry

Research output: Journal PublicationsJournal Article (refereed)

Abstract

What is usually understood as “Nature” refers to the physical world existent before and functioning beyond the constructions of human culture. It is within Nature that human life and ideas began to take shape, and to study ancient perceptions of Nature is to explore the roots of human culture. In the Chinese context, discussion of nature poetry or the cultural conception of Nature usually take their earliest point of departure from the first collection of Chinese verse, the Classic of Poetry (Shi jing, c.11th – 6th century BC). As humanity’s cradle and source of livelihood, however, Nature has played an important part in Chinese poetry from its ancient beginnings. What is referred to as “ancient” here does not entail any fixed time boundary or definition of periodization in literary history; suffice it to say that as a working concept, ancient Chinese poetry may be seen as the earliest stages of Chinese versification, from the first attempts at rhythmic language to more formalized ways of expression that include a few early pieces in the Shi jing.
Original languageEnglish
Pages (from-to)33-69
Number of pages37
JournalJournal of Asian History
Volume37
Issue number1
Publication statusPublished - 1 Jul 2003

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poetry
Religion
ancient studies
periodization
literary history
livelihood
Chinese Poetry
Nature
language
Poetry
Human Culture

Cite this

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title = "Nature and religion in ancient Chinese poetry",
abstract = "What is usually understood as “Nature” refers to the physical world existent before and functioning beyond the constructions of human culture. It is within Nature that human life and ideas began to take shape, and to study ancient perceptions of Nature is to explore the roots of human culture. In the Chinese context, discussion of nature poetry or the cultural conception of Nature usually take their earliest point of departure from the first collection of Chinese verse, the Classic of Poetry (Shi jing, c.11th – 6th century BC). As humanity’s cradle and source of livelihood, however, Nature has played an important part in Chinese poetry from its ancient beginnings. What is referred to as “ancient” here does not entail any fixed time boundary or definition of periodization in literary history; suffice it to say that as a working concept, ancient Chinese poetry may be seen as the earliest stages of Chinese versification, from the first attempts at rhythmic language to more formalized ways of expression that include a few early pieces in the Shi jing.",
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Nature and religion in ancient Chinese poetry. / KWONG, Yim Tze, Charles.

In: Journal of Asian History, Vol. 37, No. 1, 01.07.2003, p. 33-69.

Research output: Journal PublicationsJournal Article (refereed)

TY - JOUR

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N2 - What is usually understood as “Nature” refers to the physical world existent before and functioning beyond the constructions of human culture. It is within Nature that human life and ideas began to take shape, and to study ancient perceptions of Nature is to explore the roots of human culture. In the Chinese context, discussion of nature poetry or the cultural conception of Nature usually take their earliest point of departure from the first collection of Chinese verse, the Classic of Poetry (Shi jing, c.11th – 6th century BC). As humanity’s cradle and source of livelihood, however, Nature has played an important part in Chinese poetry from its ancient beginnings. What is referred to as “ancient” here does not entail any fixed time boundary or definition of periodization in literary history; suffice it to say that as a working concept, ancient Chinese poetry may be seen as the earliest stages of Chinese versification, from the first attempts at rhythmic language to more formalized ways of expression that include a few early pieces in the Shi jing.

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