Abstract
| Original language | English |
|---|---|
| Pages (from-to) | 163-184 |
| Number of pages | 22 |
| Journal | Shakespeare Studies |
| Volume | 46 |
| Publication status | Published - 2018 |
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"Now no way can I stray" : interpreting syntactic and semantic role ambiguity in Shakespeare's dramatic verse with nonnative performers and readers. / INGHAM, Michael; INGHAM, Richard.
In: Shakespeare Studies, Vol. 46, 2018, p. 163-184.Research output: Journal Publications › Journal Article (refereed) › Research › peer-review
TY - JOUR
T1 - "Now no way can I stray" : interpreting syntactic and semantic role ambiguity in Shakespeare's dramatic verse with nonnative performers and readers
AU - INGHAM, Michael
AU - INGHAM, Richard
PY - 2018
Y1 - 2018
N2 - THE FOCUS OF THIS STUDY is on the comprehension and production of Shakespearean language by performers and audiences, specifically with reference to the interpretation of propositional meaning. Shakespeare's dramatic work remains of central importance to the teaching of literature worldwide, notably in the Anglophone domain, in which, at tertiary level at least, his work continues to be intensively studied. The passage of four centuries, however, has opened up quite a large space between the wording of Shakespeare's texts and more usual forms of expression in modern English. No performer or teacher of Shakespeare would deny that her/his work is often linguistically challenging for contemporary performers and audiences. This being the case for native speakers of English, particularly for non-specialists, his language can be all the more challenging for non-native students at both secondary and tertiary levels in overseas contexts, where his works have remained extremely popular in curricula.
AB - THE FOCUS OF THIS STUDY is on the comprehension and production of Shakespearean language by performers and audiences, specifically with reference to the interpretation of propositional meaning. Shakespeare's dramatic work remains of central importance to the teaching of literature worldwide, notably in the Anglophone domain, in which, at tertiary level at least, his work continues to be intensively studied. The passage of four centuries, however, has opened up quite a large space between the wording of Shakespeare's texts and more usual forms of expression in modern English. No performer or teacher of Shakespeare would deny that her/his work is often linguistically challenging for contemporary performers and audiences. This being the case for native speakers of English, particularly for non-specialists, his language can be all the more challenging for non-native students at both secondary and tertiary levels in overseas contexts, where his works have remained extremely popular in curricula.
UR - http://www.scopus.com/inward/record.url?scp=85057737123&partnerID=8YFLogxK
M3 - Journal Article (refereed)
VL - 46
SP - 163
EP - 184
JO - Shakespeare Studies
JF - Shakespeare Studies
SN - 0582-9399
ER -