從"法相唯識"論《牡丹亭》和《南柯記》

Translated title of the contribution: On The Peony Pavilion and The dream of Nanke with the Yogacara framework

Research output: Book Chapters | Papers in Conference ProceedingsBook ChapterResearchpeer-review

Abstract

本文因應湯顯祖以“情”“心”探察生命底藴的客觀性而採用論“識體”最是透澈的唯識學理念分析《牡丹亭》和《南柯記》。爲辨明湯顯祖戲文與佛教思想微妙密切之關係而選用法相唯識觀念,如“識所緣境”、“偏計所執”、“萬法唯識”和“轉識作智”分析兩個作品呈現的生命現象。在玄奘大師《八識規矩頌》闡釋八識的架構下,《牡丹亭》的杜麗娘、柳夢梅和《南柯記》的淳于棼展示的情感現象不但與作家本身,還與文化集體習氣相關。本文亦藉“相”“性”和情“至”“盡”之互相觀照,探討湯顯祖理想的人生境地和戲曲美學境界:即莊嚴生命情感現象中的“至真”和傳统文學中之“大美”。
Translated title of the contributionOn The Peony Pavilion and The dream of Nanke with the Yogacara framework
Original languageChinese
Title of host publication明清文學研究
Editors 汪春泓, 司徒秀英
Publisher上海古籍出版社
Pages183-210
Number of pages28
ISBN (Print)9787532580408
Publication statusPublished - 1 Jul 2016

Publication series

Name嶺南學報
Publisher上海古籍出版社
Volume6

Bibliographical note

香港嶺南大學中文系(編),上海古籍出版社(出版)

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