Red Money: Nigerian “money spraying", music and aspirations in China

Research output: Other Conference ContributionsConference Paper (other)Other Conference Paperpeer-review

Abstract

Recently, African presence in China has attracted considerable scholarly and media attention. While researchers have provided significant insights about the political economy of trade, they have largely neglected other cultural practices. Over the last five years, a thriving trans-African music scene has emerged in the southern city of Guangzhou. During some performances, members of the audience ‘spray’ popular singers with 100 RMB notes (€15). In this paper, I examine the re-articulation of this and other cultural practices in contemporary China as an entry point to discuss wider historical and cultural undercurrents connecting African (mainly Nigerian) traditions and artistic practices with the globalisation of Chinese and African economies. I argue that highlighting the interconnectedness of these undercurrents is critical not only to make better sense of the entrepreneurial drives and aspirations behind African presence in China, but also to interrogate what are the real possibilities and futures opened up by narratives such as the ‘Chinese Dream’ and the ‘New Silk Road’. In short, this paper aims to shed some light on how (and to what extent) African presence in China (and Nigerian renminbi spraying in particular) signals important transformations in the contemporary (and future) articulation of material, discursive and imagined Sino-African cultural and economic spaces. I believe that by looking deeper at these spaces (and practices) we could open up new ways to engage existing epistemologies and offer hope (and tools) to go beyond the spaces of imperialism and political economy that so pervade the Africa-China conversations.
Original languageEnglish
Publication statusPublished - Sep 2015
EventColloque ANR Espaces de la culture chinoise en Afrique: Chinese Cultural Spaces in Africa - France, Paris, France
Duration: 9 Sep 201511 Sep 2015
https://esca.hypotheses.org/2150

Conference

ConferenceColloque ANR Espaces de la culture chinoise en Afrique
CountryFrance
CityParis
Period9/09/1511/09/15
Internet address

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money
music
China
political economy
imperialism
epistemology
conversation
globalization
road
narrative
economy
performance
economics

Bibliographical note

Invited Paper

Cite this

CASTILLO BAUTISTA, R. C. (2015). Red Money: Nigerian “money spraying", music and aspirations in China. Paper presented at Colloque ANR Espaces de la culture chinoise en Afrique, Paris, France.
CASTILLO BAUTISTA, Roberto Carlos. / Red Money: Nigerian “money spraying", music and aspirations in China. Paper presented at Colloque ANR Espaces de la culture chinoise en Afrique, Paris, France.
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abstract = "Recently, African presence in China has attracted considerable scholarly and media attention. While researchers have provided significant insights about the political economy of trade, they have largely neglected other cultural practices. Over the last five years, a thriving trans-African music scene has emerged in the southern city of Guangzhou. During some performances, members of the audience ‘spray’ popular singers with 100 RMB notes (€15). In this paper, I examine the re-articulation of this and other cultural practices in contemporary China as an entry point to discuss wider historical and cultural undercurrents connecting African (mainly Nigerian) traditions and artistic practices with the globalisation of Chinese and African economies. I argue that highlighting the interconnectedness of these undercurrents is critical not only to make better sense of the entrepreneurial drives and aspirations behind African presence in China, but also to interrogate what are the real possibilities and futures opened up by narratives such as the ‘Chinese Dream’ and the ‘New Silk Road’. In short, this paper aims to shed some light on how (and to what extent) African presence in China (and Nigerian renminbi spraying in particular) signals important transformations in the contemporary (and future) articulation of material, discursive and imagined Sino-African cultural and economic spaces. I believe that by looking deeper at these spaces (and practices) we could open up new ways to engage existing epistemologies and offer hope (and tools) to go beyond the spaces of imperialism and political economy that so pervade the Africa-China conversations.",
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CASTILLO BAUTISTA, RC 2015, 'Red Money: Nigerian “money spraying", music and aspirations in China' Paper presented at Colloque ANR Espaces de la culture chinoise en Afrique, Paris, France, 9/09/15 - 11/09/15, .

Red Money: Nigerian “money spraying", music and aspirations in China. / CASTILLO BAUTISTA, Roberto Carlos.

2015. Paper presented at Colloque ANR Espaces de la culture chinoise en Afrique, Paris, France.

Research output: Other Conference ContributionsConference Paper (other)Other Conference Paperpeer-review

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AB - Recently, African presence in China has attracted considerable scholarly and media attention. While researchers have provided significant insights about the political economy of trade, they have largely neglected other cultural practices. Over the last five years, a thriving trans-African music scene has emerged in the southern city of Guangzhou. During some performances, members of the audience ‘spray’ popular singers with 100 RMB notes (€15). In this paper, I examine the re-articulation of this and other cultural practices in contemporary China as an entry point to discuss wider historical and cultural undercurrents connecting African (mainly Nigerian) traditions and artistic practices with the globalisation of Chinese and African economies. I argue that highlighting the interconnectedness of these undercurrents is critical not only to make better sense of the entrepreneurial drives and aspirations behind African presence in China, but also to interrogate what are the real possibilities and futures opened up by narratives such as the ‘Chinese Dream’ and the ‘New Silk Road’. In short, this paper aims to shed some light on how (and to what extent) African presence in China (and Nigerian renminbi spraying in particular) signals important transformations in the contemporary (and future) articulation of material, discursive and imagined Sino-African cultural and economic spaces. I believe that by looking deeper at these spaces (and practices) we could open up new ways to engage existing epistemologies and offer hope (and tools) to go beyond the spaces of imperialism and political economy that so pervade the Africa-China conversations.

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CASTILLO BAUTISTA RC. Red Money: Nigerian “money spraying", music and aspirations in China. 2015. Paper presented at Colloque ANR Espaces de la culture chinoise en Afrique, Paris, France.