Research-Based Art Practices in Southeast Asia : The Artist as Producer of Knowledge

Caroline HA THUC*

*Corresponding author for this work

Research output: Scholarly Books | Reports | Literary WorksBook (Author)peer-review

1 Citation (Scopus)


This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region. In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.

Original languageEnglish
PublisherSpringer International Publishing AG
Number of pages283
ISBN (Electronic)9783031095818
ISBN (Print)9783031095801
Publication statusPublished - Oct 2022

Bibliographical note

Publisher Copyright:
© The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2022.


  • artistic research
  • Asian art practices
  • Contemporary art
  • Knowledge production
  • Southeast Asian studies


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