Abstract
Robertson Davies completed three trilogies and was probably working on a fourth at the time of his death. His focus on the number three in a variety of forms and under a number of guises — trilogies, troilism (three-in-a-bed), and triadism (saintly criminality)—represents a recurrent trope in the fiction that is linked to his personal quest for Jungian/alchemical self-realization and human completeness. Whereas this creates a rich, often vital, and highly entertaining series of inter-linked fictions, the arcane and exotic knowledge upon which the presentation relies reveals the limitations of Davies’s preoccupations.
Original language | English |
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Pages (from-to) | 169-192 |
Number of pages | 24 |
Journal | English Studies in Canada |
Volume | 25 |
Issue number | 2 |
DOIs | |
Publication status | Published - Jun 1999 |