Abstract
We call `natural' image any photograph of an outdoor or indoor scene taken by a standard camera. We discuss the physical generation process of natural images as a combination of occlusions, transparencies and contrast changes. This description fits to the phenomenological description of Gaetano Kanizsa according to which visual perception tends to remain stable with respect to these basic operations. We define a contrast invariant presentation of the digital image, the topographic map, where the subjacent occlusion-transparency structure is put into evidence by the interplay of level lines. We prove that each topographic map represents a class of images invariant with respect to local contrast changes. Several visualization strategies of the topographic map are proposed and implemented and mathematical arguments are developed to establish stability properties of the topographic map under digitization.
| Original language | English |
|---|---|
| Pages (from-to) | 5-27 |
| Number of pages | 23 |
| Journal | International Journal of Computer Vision |
| Volume | 33 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - Sept 1999 |
| Externally published | Yes |
Funding
We gratefully acknowledge partial support by DGICYT project, reference PB94-1174, by european project PAVR, reference ERB FMRX-CT96-0036, the TMR European project Viscosity Solutions and their Applications, FMRX-CT98-0234, and Centre National d’Etudes Spatiales (CNES).
Keywords
- topographic map
- mathematical morphology
- level set
- junctions
- contrast changes
- digitization