Uneven modernity : literature, film, and intellectual discourse in postsocialist China

    Research output: Scholarly Books | Reports | Literary WorksBook (Author)

    15 Citations (Scopus)

    Abstract

    Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or “unevenness,” provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of “uneven modernity” in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the “uneven developmentalism” that most manifestly characterizes the postsocialist period. Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li’s neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai’s filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age. Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible.
    Original languageEnglish
    Place of PublicationHonolulu
    PublisherUniversity of Hawaii Press
    Number of pages192
    ISBN (Print)9780824835316
    Publication statusPublished - 2012

    Fingerprint

    China
    Discourse
    Modernity
    Paradox
    Cinema
    Pursuit
    Gong
    Cultural Production
    Cultural Complexity
    Movies
    Prose
    Economics
    Art House
    Filmmaking
    Commercial Fiction
    Social Situation
    Writer
    Cultural Phenomena
    Capitalism
    Popular Fiction

    Cite this

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    Uneven modernity : literature, film, and intellectual discourse in postsocialist China. / GONG, Haomin.

    Honolulu : University of Hawaii Press, 2012. 192 p.

    Research output: Scholarly Books | Reports | Literary WorksBook (Author)

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